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The film wants you to feel for Haseena-as disturbing as that is-but I was more worried about that date. Whenever Haseena is on the phone with him-she in Mumbai and Dawood in Dubai-he is on a date. With a droopy face that reminds you of Shakti Kapoor, Siddhanth’s Dawood suggests more whine than menace. Siddhanth Kapoor plays Dawood Ibrahim making Daddy’s Farhan Akhtar look like an inspired choice. blackish-face? Talking of nepotism, another Daddy throwback. Why go for perfect casting when we can just go. As if nepotism wasn’t enough, actors have one more thing to worry about.
#Haseena parkar imdb skin#
Shraddha Kapoor tries hard, with marbles in her mouth and regrettably, skin painted over in shades too close to dark brown. Instead he spends a long time on things people already know-the Babri Masjid attacks, the riots that followed and the bomb blasts of 1993. How did the shy, timid sister of Dawood Ibrahim, who, when asked to go home shoots back how a young girl like her can be expected to walk home alone, become the woman picking fights around the water pump? There is no energy in the scenes, and editing has gone for a toss in some portions making the film seem disconnected. Haseena Parkar is ultimately inconsequential. The courtroom scenes suggest a pitch that is too old-fashioned. But none of the merits of Ahluwalia’s more serious, intense meditation on character is borrowed. Predictably, the worlds cross, with mention of a shooting in JJ Hospital involving Arun Gawli’s gang.
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The audience and some 50-odd people around the courtroom are probably saying, “Not us!”Īfter Ashim Ahluwalia’s Daddy, we have another film set in the same world, featuring a murder in an elevator. This courtroom drama tries to decode the life and criminal activities of Indias most wanted fugitive - Dawood Ibrahims late sister Haseena Parkar. During an objection, the judge even proclaims that, unfortunately, he is paid to listen to both the sides. Haseena Parkar is a Wikipedia article at best. Later in the film, the defense asks the prosecutor whether she’s arguing a case or dictating a news report. If the film had a collar, we would hold that tight and ask the same. Is this a case in court or a stage play? The judge and the defense wonder why the prosecution is not getting to the point. The prosecutor (Priyanka Setia in a thankless role) begins her questioning. The real one stands up and walks towards the witness stand. The convoy arrives in court and everyone wonders which one is Haseena Parkar. Each with a burqa clad woman riding in the backseat. We then see a convoy of Mumbai’s black and yellow taxis. The newsrooms are wondering if it is Parkar’s power or the law’s weakness that has let her off the hook.